Blu-Grotto – The Lone Bellow


The Lone Bellow

OCTOBER 1 • 7:30PM

BUY TICKETS

Tickets: $59, $39 | Limit 6 tickets per billing address

DOORS 5:30PM • SHOWTIME 7:30PM

It’s been six years since The Lone Bellow was first formed by Zach Williams, multi-instrumentalist Kanene Donehey Pipkin and guitarist Brian Elmquist. But one only needs to get the lead singer and guitarist speaking to their songwriting process to witness firsthand just how passionate he remains about its teeming creativity. “It’s a beautiful process,” the effusive singer says of the almost epiphany-like manner in which the band typically translates its vivid ideas to melodies and lyrics. “You’re trying to figure out exactly what it is you’re trying to say. And then, ‘Bam! Lightning strikes, everybody’s in the room, and it’s like the heavens open. Suddenly you’re able to write a song.”

The Lone Bellow, which also now includes Jason Pipkin on keys/bass, has long nurtured a deep and highly personal connection with their music. But with Walk Into A Storm, their third studio album, due on September 15 via Descendant Records/ Sony Music Masterworks, the band turned inward like never before. “We covered such a broad range of emotion on the album,” Elmquist says of the raw, intimate and undeniably soulful Dave Cobb-produced LP recorded in Nashville’s famed RCA Studio A. The 10-track album, Elmquist says, is centered on “the human condition and how you’re trying to connect with it,” and with stunning tracks including “Is It Ever Gonna Be Easy?” and “Long Way To Go,” it features some of the band’s most poignant material to date.

When creating the follow-up to 2014’s cherished Then Came The Morning, the band confronted — and ultimately overcame — a host of personal obstacles: not only did all the members and their respective families work through a relocation from New York City to Nashville, but on the day they were to begin recording the album Elmquist entered a rehab facility for issues stemming from alcohol abuse. “There’s a thousand different ways this could have gone down but it’s the way it did,” says Elmquist, says the tumultuous experience helped “put what we’re doing in perspective.” “I got to see the love and friendship we have for each other in action. I’m thankful.”

“Our band was the receiver of a lot of grace and kindness from the music community,” Williams adds, citing peers and industry folks offering words of encouragement as well as the non-profit MusicCares greatly aiding in the costs of the guitarist’s treatment.

Elmquist’s situation presented a logistical challenge for the band — they now had nine days to record instead of the pre-planned 20. But as Pipkin notes, the sacrifice “paled in comparison to what we have with each other. Without our friendships we don’t have anything,” she says. “That’s the reason we do this. To forge ahead without taking care of each other doesn’t work. We wouldn’t be able to do what we do.”

Working with the notoriously no-nonsense Cobb (Chris Stapleton, Sturgill Simpson, Jason Isbell), was a richly rewarding process. It was also one that helped the band kick out the jams in short order. “There’s no real bells and whistles,” Elmquist recalls of Cobb’s no-frills recording process. “You go practice a song, play it, record it and put it on a record.”

The results are stunning: from the orchestral, uplifting “May You Be Well,” to “Long Way To Go,” a beatific piano-anchored ballad Elmquist wrote while in rehab; and “Between The Lines,” a harmony-drenched sing-along Williams says acts as both a letter to Elmquist and an exploration of the push-pull of drawing art from pain.

“There’s this lie that the only good and worthy art that can be made has to come from tragedy and darkness,” Williams offers. “And I get it. But it doesn’t only have to come from that. It can also come from joy and gratitude.”

And that’s exactly what The Lone Bellow is full of as they look to the future. The band kicks off an extensive tour on September 21st with Central Park’s Summerstage supporting The Head and the Heart. And as they crisscross North America they’ll have a new member in tow. “‘How early is too early to teach a child how to tune guitars?’” Pipkin, whose newborn son will be joining them on the road, asks with a laugh. “It’s going to be really exciting and different.”

Williams seems nothing short of in awe of where life has taken him and his band. The process that led to Storm, the forthcoming tour, the deepening of bonds with his band mates — it all adds up to The Lone Bellow “becoming even more like family,” he says. “I just love being able to have that opportunity with these friends.

The singer pauses, and with a supreme sense of contentment in his voice, notes proudly of his band mates: “They’re pretty good musicians. But they’re truly amazing people.”

Opener: Brian Dunne

Brian DunneRaised in New York, Brian Dunne got his start crisscrossing the country, performing hundreds of shows a year as he built up a dedicated fanbase one night at a time. He released a pair of acclaimed albums along the way—2015’s ‘Songs From The Hive’ and 2017’s ‘Bug Fixes and Performance Improvements’—that garnered frequent airplay on SiriusXM and helped land him tour dates with everyone from Cat Power and Dylan LeBlanc to Rosanne Cash and Lee Ann Womack, alongside high profile spots on Cayamo and NPR’s Mountain Stage.  He released his new LP ‘Selling Things’ in April of 2020, which Rolling Stone called “a stunner.”  He currently resides in Brooklyn with his wife and cat.

 

Presented by UMTPresents & The Basie Presents


ABOUT THE CONCERTS IN THE GARDEN EXPERIENCE AT BLU GROTTO:

  • Tables will be positioned 6’ apart, with the front row of tables 12’ from the performers.
  • Tickets will be sold in “Table For Two,” “Table For Four” and “Table For Six” configurations only.
  • Tickets include a dining reservation, with service and seating beginning two hours prior to showtime. Dinner and drinks are sold separately.
  • For nights with two shows, entry for the second show will begin once the previous crowd is cleared and the venue is cleaned / sanitized.
  • Ticketmaster is the only authorized ticket seller for this event. Tickets purchased from other outlets may not be honored.
  • Tables cannot be split and resold. Patrons holding resold tickets will be denied entry and refunds will not be offered.
  • $20 minimum food / beverage spend required.
  • Full dinner (early / solo show) and dessert menus (late shows) for both upstairs and downstairs seating can be found here.
  • Patrons must wear masks while entering the venue or leaving their table to use the restroom.
  • Temperatures will be taken at the door by a Monmouth Park EMT. Patrons with a body temperature of 100.4 or higher will not be permitted to enter. A refund will be issued.
  • Fans must remain seated at their purchased table.
  • Dancing will not be permitted.
  • Lawn chairs, blankets, pets, food or beverages are strictly prohibited.
  • Smoking is prohibited, including but not limited to cigarettes, cigars, pipes, e-cigarettes or any other vaping devices.
  • Venue security will enforce ground rules, which will follow current CDC and State of New Jersey guidelines for outdoor events and dining.
  • In the event of inclement weather, patrons will receive an email as early as possible with a show update.
  • Free, onsite parking is available.

Concerts in the Garden and Monmouth Park are dedicated to making your visit safe during these unprecedented times. In doing so, we are operating in accordance with all local and state executive orders. Buying a ticket or being a guest at a Concerts In The Garden show is an agreement to comply with all social distancing and mask guidelines set forth by local and state governments. We appreciate the opportunity to serve you.

WAIVER OF LIABILITY AND ASSUMPTION OF RISKAll attendees, by purchasing a ticket and/or attending the event, agree to assume all of the risks, hazards and dangers that may arise from, or relate in any way to, the risk of contracting a communicable disease or illness (including exposure to COVID-19, a bacteria, virus, or other pathogen capable of causing a communicable disease or illness) whether occurring before, during, or after the event, however caused or contracted. Therefore, anyone who purchases a ticket and/or attends the event, hereby waives any and all claims against the Count Basie Center for the Arts, Monmouth Park, UMTPresents, the artist, and/or all related sponsors relating to all risks of personal injury, sickness, permanent disability and/or death.

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